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347 channels
French television is shaped by a unique tension between public-service obligation and commercial spectacle. State-owned France Télévisions (France 2, France 3, France 5) anchors the schedule with a strict 20:00 evening news that remains a national ritual, the same half-hour where TF1 runs its own competing bulletin. That news slot is so central that movies and dramas are scheduled around it, not the other way around. Primetime programming leans heavily on homegrown dramas, crime series (think “Les Petits Meurtres d’Agatha Christie”), and legacy variety shows like “The Voice” or “Koh-Lanta,” which still pull multi-million audiences despite streaming competition. Dubbing is the norm, almost all foreign films and series are voiced over, not subtitled, because French audiences expect it. This creates a closed-loop culture where locally produced content dominates ratings. The TNT (DTT) platform is dense, 29 free-to-air channels plus dozens of regional feeds from France 3’s local windows, giving every region an evening news bulletin that covers departmental politics and weather with surprising depth. premium sports networks, the premium pay-TV giant, exists on a separate axis: it shows uncut Hollywood features, live Ligue 1, and the arthouse channel Ciné+ is a powerful counterweight to the mainstream. The multilingual layer, Arabic, German, Greek, English, and Persian channels, serves France’s large diaspora communities, but these broadcasts rarely cross into prime-time viewership. What sets France apart from its neighbors is the heavy regulatory hand: quotas for French-language music on radio and TV, a ban on advertising for public channels after 20:00, and a legal obligation for broadcasters to fund film production. This keeps the industry insulated and distinct, even as global streamers chip away at live audiences.