Armenian television is small, concentrated and unmistakably shaped by the diaspora and the Soviet-era transmitter map. Yerevan dominates production; almost everything viewers watch originates there, with a thin layer of regional relay stations. The public broadcaster anchors the landscape with a formal, state-facing evening bulletin and current-affairs programming, while commercial general channels compete with talk-heavy panel shows where hosts referee loud, argumentative guests. News is the engine of the schedule, but it's a specific kind of news: political conflict coverage, Nagorno-Karabakh retrospectives, and social-agenda stories about migration and remittances. Russian-language content still occupies a meaningful share of the dial, a legacy of shared infrastructure and a large Russian-speaking audience. Imported series and films are overwhelmingly dubbed into Armenian rather than subtitled, the dub voice tradition is strong and instantly recognisable, with a small pool of actors carrying entire prime-time slates. Domestic scripted output leans toward melodrama and family sagas, often shot on modest budgets but with high episode counts. Entertainment formats are mostly studio-based: talent competitions, comedy sketch hours, and song contests that double as national morale events. Sport matters intensely but is concentrated around wrestling, weightlifting, chess and domestic football, with international fixtures drawing the largest simultaneous audiences of the year. What distinguishes Armenia from its regional neighbours is scale working in its favour: because the market is compact, a single talk-show moment or drama finale can genuinely dominate conversation nationwide the next morning, in a way that's rare in larger countries with fragmented audiences.